Showing posts with label Henry Nam. Show all posts
Showing posts with label Henry Nam. Show all posts

Wednesday, May 1, 2013

"Runaway Sketchbook" goes live, and a note about people these days

My debut album Runaway Sketchbook goes live today on BandCamp (gobble it up here). All the hard work paid-off when I woke up yesterday to find that it had made the best-seller list in the acoustic section of BandCamp's charts (more on that in a bit). I excitedly sent a message to the company thanking them for the services they provide in helping artists like me make a living. It was more a gesture than anything; I assumed it'd get lost in the swarms of Emails they get daily.


I was wrong. Within a few hours, they wrote back. It was personalized, friendly, and completely free of a sales pitch. They thanked me for my kind words and wished me good fortune in my work. BandCamp did. 


As someone who lives their lives very introspectively, I'm constantly looking for ways to improve myself, and over the past year, resolved to not only live a positive lifestyle but also simply be a positive person to be around. My execution is still far from flawless, but overall, it's been working well. 


Time after time, people have shown me how gracious, generous, and trustworthy they can be, even when there's nothing in it for them. From the ever-growing list of sponsors and donors for my music project (see the list here) to complete strangers holding a door open or offering a hand while I cart gear back and forth between stage and car to funny "this reminded me of you" notes from friends, people are kind. While there are plenty of people who are negative, condescending, discriminatory, judgmental, and on the prowl for the next insult, there's little I can do or say to change the minds of those dedicated to the cause of misery. Instead, my [all-too-many] calories and limited time in this life are better served at the attention of those who are positive, are helpful, are generous.


Another shining example: my good friend, Dan Drago, agreed to engineer my album long before any mention of money came into the conversation. He was eager and full of ideas on how to do a good job and make the record sound incredible and unique. It was his idea to record in rooms that naturally enhanced acoustics and his efforts and connections that allowed us to use the space at the Fleisher Art Memorial sanctuary. I bombarded him with questions, and he patiently answered them respectfully and admitted to areas he needed to research further. A true gentleman.


I could go on and on about the scores of people who made a positive impact on my life, but at the moment, I'd like to return to the best-selling status of the album. It was accomplished not by any huge promotional effort on my part, rather by the little, person-to-person word of mouth sharing. They haven't been doing so with expectations of getting anything in return (though I do try and make it worth their while). Yet, it's all making an impact. The album is selling both inside and outside of my social circles which is absolutely gratifying to see. 


I'm also happy to see people who listen to the tracks, don't necessarily buy my music, but feel compelled to share it among their friends. In the end, that's the spirit I want surrounding my music. I want my music to be shared out of self-motivated desire, not from jamming a marketing campaign down people's throats or making an extra buck my gouging prices. Don't get me wrong, marketing is absolutely important, but I also feel that intent and actions are more important. If people truly get something positive out of what I do, I have faith that they'll find a way to support me in some way.


So far, I've been pretty happy with the results.


Mahalo,

Henry, "Sheltered Turtle"

Thursday, February 7, 2013

NEW VIDEO: "Puppies"

Anyone who knows me knows that I absolutely adore puppies. Even a quick glance at the Sheltered Turtle Facebook page will reveal post after post of puppy-related pictures and videos, far more than anything actually music-related, haha. Well, it's about time that I post a puppy video of my own, only there aren't any cute animals in this one. This is an affectionate ode to those little lumps of fuzz and joy that make the world a better place.


Wednesday, February 6, 2013

Native Rhythms Festival 2012 - More photos! (Melbourne, FL)


DAY 1 IN MELBOURNE, FL
Left Top: Approaching the festival grounds.
Left Center: Rehearsing in our hotel room.
Left Bottom: The stage at sunset.
Right Top: Tee-Pee!
Right Bottom: A guitar three-some.


COMMENCEMENT
Left: Wind Dancer!
Top Right: Gopher Tortoise. Aww.
Bottom Right: Peopling holding hands.





Thursday, January 24, 2013

Nam @ Winter NAMM 2013, Day 1

The day before departing for the 2013 Winter NAMM show was a part of a bitter string of cold days. The wind was blowing so hard that tears streamed down my eyes during my morning run. The air was so cold that the tears froze. Within two minutes, I turned around to get more weather-appropriate running gear, particularly, something that would cover my entire face and shield it from the elements. 


I bring this up to provide contrast to the "chilly" 71 degree weather that greeted us in Arizona and the shivering 74 degree weather in Los Angeles. Yes, in this part of the country, cold is such a foreign notion that there are snow-themed restaurants right across other fantasies to live such as Medieval Times.


Top Left: Philadelphia International Airport
Top Right: Arizona
Bottom Left: Los Angeles
Bottom Right: Nelson smiling at the sight of palm trees.


The show hasn't even officially kicked-off, but things are lively in Anaheim. I'm pooped from traveling. Actually, I'm pooped from traveling after staying up too late packing because of a late work night and procrastination. We'll see what adventures await tomorrow!



Top Left: Packing the poor car.
Top Right: Eating (AKA orgasmic devouring) at Tito's Tacos, a NAMM tradition.
Left Center: The kitchen in our suite.
Left Bottom: Performing musicians surrounded by drunk musicians.
Bottom Right: The Anaheim Convention Center in its full NAMM glory.

Wednesday, January 9, 2013

NEW VIDEO: "Hayfever"



"Hayfever" was written in the Spring of 2012 in the middle of, well, hayfever season. The percussive groove and techniques were inspired by my being able to meet one of my heroes, Thomas Leeb, and watching him perform. I also had the honor of being the first opening act in the history of the SMCM Big Band and Jazz Combo. This is the composition I performed.


Picture of me with Thomas Leeb - http://tinyurl.com/b6uywu5
Thomas Leeb's website - http://www.thomasleeb.com


Gear List:
Guitar: Martin GPCPA4 (John Pearse armrest & Grover 106GC tuners)
Strings: D'Addario EJ-17
Pickup: K&K Pure Mini
Preamp: Radial Tonebone PZ-Pre

Camera: Panasonic DMC-ZS3
DAW: Garageband '09/'11
Mic: M-Audio Nova
Interface: M-Audio Mobile Pre USB

Sunday, January 6, 2013

NEWS: I am now sponsored by Voyage-Air Guitar!




I'm pleased and excited to announce that Voyage-Air Guitar has endorsed me as an artist! My VAOM-06 was the second steel string I bought (and the first with a 1-3/4" neck which I've come to prefer) and comes with me to just about every performance I do. In my opinion, these are the ultimate travel guitars: they are full-sized acoustic guitars that fold in half. Don't let the gimmick fool you: they sound great, and don't go out-of-tune as much as you'd think!





To inaugurate this new partnership, I will be performing my music at the Voyage-Air Guitar booth at the 2013 Winter NAMM show! I can't wait! Below is a video of me performing live in Fall 2012.


A very Happy New Year indeed!





My Voyage-Air Guitar VOAM-06 is customized with:
Grover 406C mini locking rotomatic tuners
K&K MiniPure pickup system
D'Addario EJ-17 medium-gauged strings

I also plan on adding a John Pearse armrest.

Saturday, December 29, 2012

Jan Seiden & the Rhythm Grooves: Live performance clips from Steel City Coffee House show

Click here for the YouTube playlist.





This past fall, I had the opportunity to perform with NAMMY-nominated ethnic flutist, Jan Seiden in an ambitious project melding various flute from around the world with guitar and a wide array of percussion instruments. We only had 3 practices to get the material together. I chipped-in a few of my originals, but most of the compositions were Jan's.


Backing us up on percussion were Nelson Rios (Santana, Gloria Estefan & the Miami Sound Machine) and Butch Armstrong (the Stylistics). The clips were filmed at Steel City Coffee House in Phoenixville, PA. 


You can check out Jan and her music at www.janseiden.com.

Friday, December 28, 2012

VIDEO POSTED: Watch Me Butcher ... "Valerie" by Amy Winehouse

Wow, it's been over a year since I posted my last Watch Me Butcher ... cover video. For those unfamiliar, Watch Me Butcher ... is a tongue-in-cheek series of mostly-cliched cover videos where I do silly vocal harmonies and point out all the mistakes I make. It started as a way for me to get familiar with Audacity and iMovie '09 but turned out to be moderately successful in its own right. 


In the lengthy YouTube descriptions, I take the role of a bitter, excessively self-deprecating musician and also provide tabs and lyrics for those who want to learn the songs. The original intent was to only cover easy songs that only required a few chords. Without further ado, here's the video.








The style was inspired by the way my good friend, Carl Pfanstiehl covers the song. I just put shameless vocal harmonies behind it in a way I'll never get to perform live. And for you gear heads:


Guitar: Martin GPCPA4
Pickup: K&K Mini Pure
Preamp: Radial Tonebone PZ-Pre
Camera: Panasonic Lumix DMC-ZS3
Mic: M-Audio Nova

Friday, December 21, 2012

Pictures: Harrisburg, PA

Right before Halloween, we swung by Harrisburg, PA and played to a packed audience at the Stage on Herr. Emily Yanek opened for us with a stunning solo performance. The photos were taken by Nick Hughes and our friend Julia Hatmaker.







New video! "Tadpoles & Ice Cream"



It's just like me to wait until the end of the world to record and upload some of those new tunes I've been claiming to have. Well, wait no further! After countless attempts to get my new music recorded, I finally found a setup and configuration that is a marked improvement from previous efforts. Let me know what you think!


I began writing this piece in the summer of 2012 when I was on a beach vacation with some friends. A hurricane hit as we entered the town of Salvo, NC. By the time we reached the beach home, our driveway had ankle-deep water. The next morning, we walked out to find hundreds of tadpoles covering our cars, an unexpected sight indeed! It rained throughout the vacation, and we made frequent trips to the local ice cream shop. This piece is dedicated to ridiculous yet fun time I had with those friends.


"Tadpoles & Ice Cream" is also one of a small handful of new tunes that utilize multiple capos as well as live de-capoing and re-capoing. I wanted to write something that was sweet, melodic, and percussive at the same time. I love how smoothly the music transitions between standard style and over-the-neck style fretwork as well as the two-handed playing. It's always a lot of fun to play!



For you gear heads, this also marks the video debut of my new guitar, a Martin GPCPA4 equipped with a K&K MiniPure pickup, Gold Grover 502 locking tuners, and a John Pearse armrest. I'll be writing about the guitar in a separate blog post some time next year. More info about what I used is posted at the bottom.

Until next time, be well!

Henry "Sheltered Turtle"



Gear List:
Guitar: Martin GPCPA4 (John Pearse armrest & Grover 502 tuners)
Strings: D'Addario EJ-17
Pickup: K&K Pure Mini
Preamp: Radial Tonebone PZ-Pre

Camera: Panasonic DMC-ZS3
Video Program: Adobe Premiere CS6
DAW: Garageband
Mic: M-Audio Nova
Interface: M-Audio Mobile Pre USB


Friday, July 22, 2011

The going on of what's going on.

As I write this, I'm waiting for the piano tuner to swing by while attempting to multi-task like a good product of the 21st century.  

My visit to our neighbors up north in Canada was great!  I really love the place and hope to play up there again in the near future.  

I'll be posting pictures in the following weeks.  Prepare to be surprised: some of the locales are far from what'd you'd expect from up north.  

--

I've nearly finished the album art for the quietly released keyboard EP, The Stupid Album.  It'll be added today, and I'll start production of the CDs shortly thereafter.  

Recording for EP II: Center (the continuation of my guitar material) is nearly complete.  It's set to be released on August 15!

That's all for now!